The problem with shooting landscapes on a schedule is weather, of course. It wasn't until yesterday that my free time coincided with some pretty weather. I know, I know: you can shoot in all weather, or at least all the weather you can tolerate. But when both foreground and sky are part of the assignment, you need a certain amount of visibility.
Some incidental lessons from this assignment: Check your battery charge or (better) carry a charged spare. I always do, and sure enough one of them began to conk out while I was shooting. Wear boots. It's always muddy where you want to set up. I took my new infrared remote for the Nikon and used it for some tripod shots before the sun came up, together with the remote mirror-up mode on the D750 (press once, the mirror goes up; press again and the shutter trips. Nice.) At $20 the ML-L3 may be the cheapest Nikon gear I ever buy. Speaking of cheap, my wife kindly lent me a shower cap for a camera cover in case of rain. They're cheap or free and work pretty well.
A more important lesson, I think, is that I'm rushing when I'm out shooting. I had no time constraints, yet I hurried through some scenes. It's a bad habit. When I get back and start processing images it's a sure bet I'll wish I could do some over again: stuff in the frame that shouldn't be there, bad angles, poor composition, wrong exposure. I need to slow down.
Here's my landscape. It's on the Maryland shore of the Potomac River, where
Seneca Creek enters. The bridge once carried the C&O Canal over the creek. Does the bridge count as foreground? Hope so.
Here's my landscape. It's on the Maryland shore of the Potomac River, where
Seneca Creek enters. The bridge once carried the C&O Canal over the creek. Does the bridge count as foreground? Hope so.
Seneca Creek at Potomac River |
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