Yet More Winter

The ice keeps coming this winter. Today at dawn a glaze covered everything. It was raining a little and the ice glistened. Before it melted I took the camera out. The spirea bush in our yard was amazing.

Branch and Ice

The details: Pentax K-5 on tripod, 1/250 sec. at f 5.0, ISO 1600, 50 mm (smc PENTAX-DA* 16-50mm F2.8 ED AL[IF]SDM)

Tokens and Sentiments show opens Friday February 7

As I mentioned in a previous post, two of my images will be in the Tokens and Sentiments exhibit opening Friday, February 7, 2014 at Capitol Arts Network's Urban by Nature gallery. Follow the link for the location and details. The opening is from 6 pm to 9 pm. You can view the show, meet some of the artists, have a glass of wine, stroll around the studios and see other works hanging in the halls. Susan and I will be there from about 6 to 7, when we'll head off to celebrate her birthday. Hope to see you there.

More Winter (an observation, not a request)

As I age my comfort zone narrows. I barely noticed hot or cold weather as a kid. My college years were spent in snowy blowy Cleveland, with a summer of field work in desert conditions in southern New Mexico. Neither bothered me much.

But at age 60 I've found this winter very uncomfortable. My feet are cold almost all the time and I go around blowing on my fingers a lot. And that's just indoors. Getting out to take pictures has been a struggle that I have mostly lost. I try to take heart at the forecast: today it will reach 22 F! (though as I write, it is 9 F).

But I did get out a couple weeks ago (see my post on Winter at the C&O Canal) and was rewarded with interesting ice. Here's a shot from a flooded, frozen forest floor that was an abstract riot of leaves and crystals.

Leaves and Ice

The details: Pentax K-5 handheld 1/125 sec at f 6.3, ISO 1600, 50 mm (smc Pentax-DA* 16-50mm F2.8 ED AL [IF] SDM). 

Aren't these wonderful times when one can shoot ISO 1600 and leave the tripod at home on such days? Maybe the shot isn't as sharp corner-to-corner as I might wish, but setting up and handling a tripod in this weather isn't fun. Especially on ice.

The depth and texture of the ice and the contrast with the organic color and form of the leaves appeals to me. I may be empathizing with those leaves.

Winter at the C&O Canal Park

We've had a very cold spell this past week, so when things warmed up a bit on Friday I headed out to Great Falls, one of my favorite spots for photography, hiking and just clearing out the cobwebs. The Potomac River has been very high recently but was receding on Friday. It left ice on the banks in wonderful forms, shaped I suppose by the fluctuations in temperature and water level. I loved the contrast between the angular ice crystals and the smooth ripples of water. Once again I was glad I got outside. I was also happy that the restrooms at Great Falls have hot-air hand dryers (which I usually loathe).

Ice and Branch, Potomac River

For those interested in the details: Pentax K-5 handheld 1/250 sec. at f/6.3, ISO 1600, 36mm(smc Pentax-DA* 16-50mm F2.8 ED AL [IF] SDM).

Two images for Tokens and Sentiments exhibit

Two of my images have been accepted for the Capitol Arts Network show, Tokens and Sentiments. The show opens on Friday, February 7, 2014 in CAN's Urban by Nature Gallery, and runs through Wednesday, February 26th.

The show will feature the work of invited artist Pam Rogers, and "will be a unique, real-world take on love and romance that is not necessarily the greeting card version of the story". I hope you will be able to see it.

Here are the images I'll show. Paw Paw was taken in one of my favorite locations, the C&O Canal Historical Park, on the Maryland side of the Potomac River. Paw paw trees are indigenous; I'd seen the paw paw fruit previously in late summer but I had never seen one in blossom. Friendly folks on the park website helped me identify the blossoms in this image.

The Dalmatian Iris image is from another favorite location, Brookside Gardens, a public display garden in Wheaton Regional Park in Montgomery County, MD. The image was made in early morning during a photo class conducted by Nikhil Bahl.

Paw Paw

Dalmatian Iris

Another iPhone picture

You may recall that I recently purchased an iPhone 5s, in part because of the nice camera that it contains. Here's a photo of our cat Ty Ty in his never-ending quest for sunshine and warmth, taken with the 5s. It's a jpeg straight from the phone, with no adjustments.

A couple of things are notable about this image, I think. First, in this very contrasty shot, with direct sunlight coming through a window, you still get decent detail in some of the shadows. Look at the painting in the background, for instance.

And the resolution is very good. Here's a crop of the same shot:

The fur and the paint texture hold up nicely in this enlargement. I didn't add any sharpening. Click on the image to view it larger.

The iPhone has some issues. The very-low-light pictures I've taken aren't great but, c'mon, this is a small sensor (4.89 by 3.67 mm, according to AnandTech). I've had one lock-up unrelated to the camera, and the voice dictation--great when it works--mysteriously refuses to be available in the Notes application at times. Overall though, and in particular regarding photos, I'm happy so far.

My previous iPhone photos are in this post.

Greeting Cards: method

I enjoy making photos into greeting cards. Most commercial cards leave me cold, and it's satisfying to create something on your own. My wife Susan encourages this. In fact, she suggested it in the first place.

I started out making cards by pasting 4 by 6 glossy prints onto cards designed for that purpose (Strathmore makes a line of these). It is easy to do, in part because you need no folding or cutting. The cards are ready to send as soon as the print is attached (and your sentiments written inside, of course. I've always made cards that are blank inside). You don't actually paste the photo; you use little squares of double-sided tape. Quick and easy.

But I was never completely happy with that method. The cards look like what they are: two-piece constructions. Over time the photos can warp. There's no control over the paper or border; you get what the manufacturer provides. You are stuck with a 4 by 6 aspect ratio, too. Susan asked a question that led me to a better method: "Could you make a borderless card?"...meaning, cover the entire front of the card with the image.

Objections flooded into my mind. How do I print all the way to the edge of the paper? This isn't a trivial task with the Epson printers I've used: they insert a border if you don't have the settings right. The card printing templates provided by Red River Paper (an otherwise great source of papers and tips) didn't seem to do borderless. All just too fiddly, I thought.

And what about the paper itself? The reverse side of most photo papers isn't designed for handwriting. Some have brand names or other markings on the reverse; some have surfaces that resemble newsprint or feel like plastic. Not the best thing for your jottings.

After fooling around a bit, I settled on a borderless method. First, I use Epson's double-sided Premium Presentation Matte paper. Both sides have a nice surface and most images print attractively on it.  It's heavy enough for a card (48 lb), if not quite as heavy as typical commercial cards. It's not very expensive. I usually print two images per sheet. Second, I don't try to print to the edge. I use a paper cutter to trim each card just where I want it.

Printed images

One wrinkle remains. To ensure that all of the card's edges line up, you need to fold the card before you trim it. If you think that making a straight fold in a card by hand isn't easy, you are right. Don't even try. Instead use two simple tools, one old and one new.  The old tool is a bone folder (marvelous term, isn't it?). It resembles a knife made of ivory or bone, though is typically plastic, and is used to score the paper along the fold line before folding. The new tool, called Scor-Pal, helps you make a straight score. It's a flat plastic tray with lots of straight narrow grooves. Put your card on it and run the bone folder along the card above the appropriate groove to create a straight score.  Fold the card, "commit" the crease by pressing along it with the bone folder, trim the edges, and Bob's your uncle.

Scoring printed images

Close-up of score line

Creasing the folded card

Trimming the folded card

More trimming

Add info on the back

Done

This technique isn't for everyone. You can't use it to make glossy photo cards. It's clearly unsuitable for mass production. But it gives you complete control over the aspect ratio and card size--image and card are necessarily the same shape and size. You also control the print quality. If you like, you can print a label, copyright or other info on the back. I like to title and sign the back. All in all, I'm happy with this technique and people seem to like the cards.